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Post Info TOPIC: Dressage judging, why is it subjective?


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Dressage judging, why is it subjective?
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July 20, 20007 "Who Should Qualify to be a Dressage Judge? by Lynndee Kemmet [Chronicle of the Horse]

"The judging conundrum: How do you encourage more objectivity and consistency in judging a subjective sport?"

This represents exactly what is wrong with the judging of the dressage tests at all levels. Let us examine the two key words used in the statement.

Subjectively
existing in the mind; belonging to the thinking subject rather than to the object of thought pertaining to or characteristic of an individual; personal; individual: a subjective evaluation. placing excessive emphasis on one's own moods, attitudes, opinions, etc.; unduly egocentric.

How can dressage be subject when clearly defined descriptions are stipulated in the rules? As a material fact, judging dressage requires that the individual judges use objectivity in scoring.

Objectively
being the object or goal of one's efforts or actions.
not influenced by personal feelings, interpretations, or prejudice; based on facts; unbiased: an objective opinion.
intent upon or dealing with things external to the mind rather than with thoughts or feelings,


And your thoughts are?



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This is an interesting topic.

Regardless of the stipulations, judging dressage will always be subjective because human beings look at the same thing and see it differently. We all know the cliche of people witnessing an accident and each giving the police officer a different account.

It's the same with judging. We bring our own preconceived notions to everything we see in this world, even if we are educated in the same principles and to look for the same "ideals", we bring our own experiences, viewpoints and preferences wherever we go.

Plus, add politics to the mix and there you have it.



-- Edited by Barbara F on Sunday 3rd of July 2011 11:54:35 AM

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And, adding to Barbera's post, the judge mush pic a nimber for the score, which will always be subjuctive. It's not like in Showjumping, 4 penalties for a rail down, it's a given when the rail is down it's not almost down or a little bit down.
I think if you don't understand why dressage cant be judged objectively, then you need to go and judge some tests, you'll soon find out.

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Eurodressage

12/23/10

Col Christian Carde, Classical Dressage as Horsemanship Part III

“The most serious problem dressage has is that the judging isn’t done strictly according to the FEI rules anymore. For me the judging has come to the end of the road by leaving the official scale and it will be interesting for young people like you to see how this will evolve in the future. For example there is the general tendency to place horses with exceptional paces higher than less spectacular but better ridden ones. This puts dressage in general in danger, not only at the highest levels. There is a gap between what is actually happening in dressage and the FEI rules and this is the point that should be discussed. The future of dressage strongly depends upon how riders are judged as well as on how the eye of spectators is formed by what is presented wrongly but scoring highly.”



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THere is a booklet from the FEI now (the FEI judge's handbook) http://www.dressagejudges.com/FEI.htm (toward bottom of page) which gives ALL the numbers with the importance of factors put in....what is needed for insufficient, what is needed for satisfactory, what is needed for a very good.  Very straight forward, and although it is 40 euros, and something that everyone should have (along of course with the FEI rules (or at lower levels the USEF which are the fei rules with some national effects)). I recommend that EVERYONE buy it (as well as always keep up to day with the changes in the actual rules and directives EN TOTO.

I do think that the next generation has a problem and that is dealing with equivocation which has started with the 'globalization' directive of the fei, and under the guidance of Lette's reign. Dressage should be about TRAINING and it is unfortunate that "there is the general tendency to place horses with exceptional paces higher than less spectacular but better ridden ones."   And they have even more of a problem in dealing with the abuse directives (which are so mealy).

When the everyday rider sees what win they attempt to copy it (and that usually means the anomalies of the winners' and indeed "This puts dressage in general in danger, not only at the highest levels."  The consumers are not educated, or educated by someone who has little to no depth in training (the winners are often those who buy trained horses rather than make their own) of various breeds/etc.  They ride good movers and muddy the gaits rather than have the ability to make good movers out of plain brown wrappers

I had a learner judge sit with mean and we discussed this during breaks.  They are the ones who will be judging, and for the most part they will be judging 40 year olds  people just starting in the sport but buying nice horses.  In times past these riders would have stayed home and taught first to take pleasure in perfecting basics before they attempt to show their training to an evaluator.  (And no teacher/trainer would allow their work to be presented half done). Now this work is to be judged, and generally the scores are based on degrees of submission, which now means flexion, which often is too much because the effects of the seat and proper contact are missing.  More equivocation, make it all satisfactory (6).

For SURE "There is a gap between what is actually happening in dressage and the FEI rules and this is the point that should be discussed. The future of dressage strongly depends upon how riders are judged as well as on how the eye of spectators is formed by what is presented wrongly but scoring highly.”   Once 100% submission is 'the thing' (under Lette), then traditional training is over. The ways to 'false' submission which reveals itself in the (lack of) purity of gaits are legend.  A horse must be free to show its balance, the effect of the rider's aids on its balancing rod (aka via the neck).  When that is silenced, there is a problem.

Back to the OP, certainly the background/depth of knowledge/ability of the judge plays into how they interpret the rules.  When we have judges which are agressive riders who are regularly reported, then they will be looser in hiding their heads as to what is agressive riding (ie in warm ups/bleeding mouths).  It is #$$&#*($ difficult to have a perfected seat (a la Reiner Klimke or Waetjen), it requires taking ownership of one's work rather than blaming the horse (or needing a better saddle or different breeches).  It requires judges like Schultheis who once said to a (well decorated high level rider) friend in his rider score on a particular horese: 3..comment: you have single handedly taken the gaits from this hose!  THAT meant back to the drawing board as to the training of that horse.

IS judging subjective?  When I went to the presentation of the 4ecoles (srs/cadre noir/national schools of spain and portugal) the work was all the same with different nuances.  Which means their 'good' IS objective and meets the same standards.

But what has happened is that dressage at the highest levels is really a dressage 'materiale' class.  As long as there is (ie) the right number of tempis then sufficient+scores are given, the quality of them (straightness) is often ignored.  And speed of tempo is now replacing impulsion (and it is used to sustain submissive postures).

However, all those evaluations require a CONSIDERABLE depth of understanding of what creates what results in training. What is to most valued, what comes first, etc.  It means more than latching onto a phrase (ie poll highest point or face ifv) or looking tempo rather than knowing what are the elements of impulsion, etc  and valueing it above others (ie sustaining purity of gait is job one).

So, we go back to times where most riders made their own fei horses themselves and who were a result of LONG term apprenticeships (10-20 years), to those who ride a year here and a year there on previously trained horses and have NO idea how to start a horse properly (no longitudinal flexion does NOT come first).  IF those who become judges are now those 'winners', then the evaluation process IS flawed because they are telling others how to evaluate their own training based on very shallow knowledge (or knowledge they do not have).



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Barnfrog,
Very well stated.
May I use your statement to present as just one reference to the judging issues?

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A reference to what?



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I am trying to compile reasonable assessments from dressage people regarding the judging. These will be put together in a presentation format to USEF and FEI, in hopes of opening the eyes and ears of the governing bodies to make the necessary changes to see that the judging meets the standards set forth in the rules.

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I would prefer to continue to present my own comments at judge's forums, and in fei letters.  So, I would prefer to do those things on my own.  I appreciate your asking however.  For me, we all must support people in the sport like Carde, Hans Meyer zu Strohen, or Kyra Kyrkland (as a member of the IDRA) in ther works instead. Otherwise, such discussion is ignored.  And even then, as someone who has seen how things have morphed in the last 40years or so, I think the answer lies elsewhere.

We must offer an viable OPTIONS.  It might come down to dividing the FEI dressage into materiale fei dressage (I know, sort of an oxymoron), and traditional dressage.  Think about how one can do that, know that your points have been stated ad infinitum in europe (in mags like St Georg/Reiter Revue/Piaff) already. Breeders have to be contacted as well.  Ideate on that.

And I guess the question really is: can traditional training continue without long term apprenticeship?  Personally I think the answer is in creating a group of riders/horses who go out and win everything in a given year (from beginning to GP)....but that takes $$$ and almost Odgs.  PERHAPS if Mathias can take Toto to gold it might make a statement. And Laura will be the token traditionalist (although she is not) because of who she trains with, and she is the other option for gold.  People 'follow winners' and what they perceive they are doing correctly.  So, perhaps Klaus will have an impact there???

It is also important for everyone to READ the CHANGES in the directives.   But more importantly what the entire package should 'look like' and how important purity of gaits (esp walk) is.



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Barnfrog;

You state your position quite eloquently.

From my observations in the equine media, the recent judging forums have not generated a public policy change visable in the competitive arena.

The individuals you name and others whom have publically campaigned regarding the judging have not seemed to have any affect upon FEI or USEF mandating that the judges score according to the rules.

Apparently the individuals whom are the controlling members of these bodies choose to ignore the outcries.   So there needs to be a continuous public voice heard in the equine media.  That can truly only be accomplished if individuals such as yourself make your voice heard in such a manner, then the competitors will begin to follow suit.

We need a cavalry charge of pure classical dressage riders, trainers, enthusiasts and judges to bear down upon the controlling interests of these bodies in order for them to stop the destruction of dressage.



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I don't think you will ever get a real objective judging in any sport that relies on human beings to evaluate performance.
You can make it less volatile by defining criterias but in the end, judging high level peformance in events such as world championships will have subjective elements. When do you draw the 8 or 9 for a specific lesson? On top of that the differences between the top performers will be small. So little differences will decide the ranking.

I think we can well live with some subjective ratings. What concerns me more is biased judgement or mistakes due to insuffcient experience. In international sport we have judges coming from a limited background in riding and from countries where they have limited opportunities to watch high level performances.

I call it limited background if someone has participated in Olympics just by buying well educated horses and taking lessons at top trainers. I have nothing aginst those people participating in the competition. Let them do it. Its their business, sometimes their dream, and it was certainly their money, ...and no matter how much money they paid, they still need to learn to ride the horse. that's ok,- but judging is different.

I think judging should require years of experience educating horses and riders. If you have never started to educate a horse from the very beginning, you miss an essential part of the knowledge. However, not many people did that successfully. - but I remember an interniew with one of my old riding instructors (he was an instructor at the ridng school in Hannover before WWII) Question:Can a woman train a horse from beginning to Grand Prix? Answer: Yes, but I don't want to marry her.
Well, that was 1972.

Anyway, I think its no point trying to fiddle around with judging regulations, having 7 (by god 7 why not 20? why not making it a poll asking the spectators, that would at least be a democratic process) judges instead of 5 or things like that. Quality of judgement does not increase by asking more people who don't know the answer.

Its expertise, long time expertise and excellent horsemanship that we need.

ciao
bernd



-- Edited by berndride on Wednesday 6th of July 2011 04:19:36 AM

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I agree, adding numbers of equivocating judges does not help.  More people to agree that a four beat trot of a flashy mover is an 8 rather than a 4. Such things are NOT subjective, they are or they are not.  The fact is that riders at the top level do have to stand for a higher standard whether they like it or not.  But with Lette's suggestion that they already are good if they are there internationally, then having judges just be bean counters (ie 15 ones) in submissive postures is how they all started.  Until SJ leaves this sport (since NU just faded away), it is not likely to change.



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Ah yes, the judges have rendered their subjective opinions in unison.........



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my hubby refers to dressage as 'figure-skating on horse-back' - with all that implies....
As much as people would like to consider themselves 'objective' - when looking at something - most people are not/can not be...
we all bring our pre-concieved notions...our own understandings and interpretations.

I went to J-school - became a journalist - and learned at school - that there is no such thing as objective reporting - because there will always be something that predjudices an individual one way or another - it's just the way it is...ohhhh well.....

it's just important really that if someone participates in dressage - or whatever - that they examine the judge's comments - and ask themselves why the judge saw what they did - and go home do their homework practice practice practice...and keep an open mind....and not dismiss what the judge writes as prejudice - but to also think -- 'what can I learn here - how can this help me grow as a rider...what do I need to work on....' A judge is a judge for a reason - has put in the time, and hard work and study...to attain their role in the community...but we need to remember they ARE human - so the best they can aspire to is (like in journalism) Fair and Accurate -observations and comments...(AND yes I do know journalists are often far from accurate...etc...but the spirit of journalism dictates that we strive to report 'fairly and accurately.'

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Objectively
being the object or goal of one's efforts or actions.
not influenced by personal feelings, interpretations, or prejudice; based on facts; unbiased: an objective opinion.
intent upon or dealing with things external to the mind rather than with thoughts or feelings,

The descriptions contained in the rules are 'stipulations' that are 'mandated', so an individual's subjectivity must not be used in judging.

Subjectivity is clear from the judges when a horse presents flash instead of class such as Totilas.



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Goatgirl hit the nail on the head.

Spirithorse/Dragonharte is too subjective to realize it!

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Figarocubed wrote:

Goatgirl hit the nail on the head.

Spirithorse/Dragonharte is too subjective to realize it!


 Well, Figarocubed;

You can believe that all you want, hwowever, I have individuals more experienced than you or I whom agree with me.  



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That just means they're wrong too!

Anyone who agrees with your opinions about dressage is someone I would never take a lesson from, no matter how much experience you or they THINK they have.

Have these individuals (the ones who "agree" with you) ever seen you ride? Are they Real Live People?



-- Edited by Figarocubed on Sunday 10th of July 2011 11:30:26 PM

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Hi All,

I thought it would be a good time to pipe in here with my own two cents!

On a non-horsey note, I do agree with Goatgirl about there being no such thing as objective news. I have said that for years and I'm so glad someone who studied journalism is of the same view!

Regarding the judges, just my opinion, but I do believe objectivity is something we won't be seeing, for many of the same reasons we won't be seeing objective news reporting.

All of which makes Spirithorse's objective of getting the judges to re-evaluate what they are seeing at the top levels, and how they judge it, such an important issue.

Let's keep this discussion going (respectfully, please! :))



-- Edited by Barnmice Admin on Monday 11th of July 2011 05:35:40 PM

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The 'on the bit' frame is not subjective as it clearly stipulates how the head/neck shall appear.  Here is the correct way on the gray and the incorrect way on the chestnut.  Both horses are in piaffe.

This is what Col. Carde is addressing and what I address.  The rules are clearly written and yes there are areas that subjective views are in play, however, there are numerous elements of which the objective view is the mandated way.



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indeed - the two pictures are quite different - unfortunately there is still room for subjectivity - depending on how the judge has been trained, and educated. One judge might very well look at the grey and see the nose ever so slightly pokey and take exception with it - one may see the chestnut's incorrect neck and the rider's position and say --- take exception with it - one may see the hand positions as incorrect -- - there are numerous miniscule aspects that can twig something in a judge's mind --and sub-conciously or unconciously affect the score of the rider....it is human nature unfortunately...and therefore it is unlikely that dressage judges will ever be able to look at a picture and say without personal influence - whether a movement truly deserves a 6.5 or a 7....etc.. That said - again the judge is someone whose understanding and views are the result of hard work and study - so they need to be considered and weighed...dressage is a sport in which we never stop learning, and striving...- We can learn something from all -

but I honestly believe that expecting objectivity from a human being....--- well - I don't think it's likely...

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The two pix cannot really be compared.  The grey is a full schooled horse, up/open/balanced (and should be ifv). The chestnut is being schooled in a snaffle and slightly too closed in the posture momentarily .  I think even pk would like to grey's forelegs more vertical, but the hindquarters are well lowered as are the chestnuts.  Certainly PK has a more erect posture and TR is slightly btv (with a lifted hand which has closed the horse slightly).  One is developed piaffe, one is learning.  But for what it is worth the rules say that the horse is allowed to come to the vertical momentarily for a reason,  if the horse stays there is will have effect upon the transition out.



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cool - thanx barn frog!! that was interesting. (Well there I be - I learned something new!!)

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Thank you, Barnfrog.

I was about to point out that the chestnut looks like a horse learning piaffe, while the grey is a finished upper level horse. Apples and oranges.

Dressage in competition is judged by the full performance, not still frames. Horses and riders can be photographed at an imperfect moment in an otherwise lovely test. Judges must judge what they see in front of them at the time, commenting and giving a score in mere seconds for the movements of the test. I doubt they have time to (dare I say it?) "overthink" their judgements. As in gymnastics, dance or figure skating, they must watch the test as a whole, score the elements and move on to the next. There is little time for discussion. Having scribed for many judges over the years, I'm impressed by their ability to score and comment rapid-fire through hours of tests. I seldom witnessed unfair or biased or wrong-headed judging. Judges are human, therefore there will be some subjectivity. It will remain that way until computers do the judging. At that point, dressage will cease to be an art as well as a sport.

I do wish Spirithorse would grace these discussions with examples of his riding. We could learn so much!

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I agree completely figarocubed -- whenever I've been at dressage competitions - when I'm done and just watching others - I'll watch not only the riders but also the judges and their scribes...-- I can't imagine the mess the score-sheet would be if the judge was over-thinking - second guessing..etc...-

and I went back after barn-frogs comments and looked at the pictures more carefully and can see now what Barnfrog and Figarocubed noticed immediately......blech I should learn to pay attention more carefully

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Excuse me!

The thread is about the subjective input by judges wherein the rules specifically are written that mandate objective scoring.

I posted images of the head/neck frame as a represention of the CORRECT mandated frame.  A frame mandated in all level of dressage test, with the height of the poll dependent upon level of schooling.

I did not post the images for us to dissect the piaffe or level of schooling.

Throughout the schooling process the head/neck frame must be there according to stage of schooling.

As for the momentary from the rules, that is exactly what it means.  So, why the overbent and behind the vertical as the standard?

The image of Anky at the left is representative of the standard for GP in today's competitions.

The image at the right of H. Guerny on Keen in 84 is representative of the mandated head/neck frame.

In the dressage world there is this intense effort to ignore correctness, why?  It must start at the lower levels because of what is being seen at the national and international levels.

These images clearly demonstrate the concerns stated by Col. Carde, myself and many others regarding the inadequate and incorrect judging in dressage today.



-- Edited by spirithorse on Tuesday 12th of July 2011 12:25:27 AM



-- Edited by spirithorse on Tuesday 12th of July 2011 12:30:03 AM

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You've gone out of your way again to find a really ugly photo of Anky.

I have great respect for Ms. Gurney, have ridden tests in front of her and have watched her give clinics, but there are things I could pick apart in her photo, too. But I won't. Spirithorse, I encourage you to enroll in the judge's training program offered by USDF. That way you could infiltrate the enemy's stronghold. You would also learn firsthand how difficult a judge's job is and what they go through to simply qualify to judge at even the lowliest schooling show. Or offer to scribe at a show some time. But you'll have to restrain yourself from arguing with the judge!

Once again, Spirithorse, you are emphasizing the head position. As Walter Farley remarked in one of his books, "You don't ride heads". Overbent and BTV is NOT the standard. This only exists in your imagination. Look at the structure of the two horses above. Very different creatures. One purpose bred, the other a TB who grew too large to race.

Judging dressage will never be completely OBJECTIVE no matter how you try to re-educate judges. Purely objective judging is only possible in timed events or things such as show jumping, where jumping faults and speed are the criteria. Subjectivity, no matter how hard you try, no matter how much you whine and complain, WILL continue to exist. And in your case, Spirithorse, you'd accuse any judge of subjective judging if he or she didn't agree with YOUR opinions of things. How objective is that? I've observed judges -- as a scribe, a competitor, and a spectator, and I see people who take their responsibilities seriously, who work hard at judging fairly.

Please tell me, how DOES one ride a stretchy/chewy circle or a free walk with the poll the highest point?



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Figarocubed:

You've gone out of your way again to find a really ugly photo of Anky.

This statement by you displays your arrogance.  The head/neck carriage in the image is standard for Anky except when she is in rolkur.

Overbent and BTV is NOT the standard.

Ninety percent of the dressage media images and the majority of GP videos of national and international competitions clearly demonstrate that the incorrect head/neck frame is the standard.

One purpose bred, the other a TB who grew too large to race.

Please inform us of the individuals whom informed you that these horses fit into the catagories you state......opinion is yours not a fact.

And in your case, Spirithorse, you'd accuse any judge of subjective judging if he or she didn't agree with YOUR opinions of things.

Once again you display your arrogance.  You have no knowledge of the individuals in dressage that I currently know or have known.  So you have no knowledge as to the discussions we have had.

I believe Barnfrog is a judge and the two of us have had an intellectual discussion without the personal attitude.  So why must you be so snarky?

 

FYI - arrogance means aggressive assertive and presumptuous attitude.


 



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hi goatgirl: i couldn't agree more with your husband. i explain to my non horsey friends who are canadian, that dressage judging is truly like figure skating. and unfortunately, they understand what i am implying!!! i see it here in nz all the time. and it saddens me. i am qualifying as a judge, and show my homebred and trained horses. i go for personal bests, or concentrate on a particular movement. if i place or get a nice score, especially from a known testy judge, it is a bonus.  but this is an expensive proposition!! cheers.



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The second set of pix show a difference in the entire bearing of the horses, the head and neck are the least of it, it is the entire body and the purity of gaits(that said both are standing over too much ground). HH are no longer used when the horse is schooled closed/lowered. Let's address the purity of gaits, that is something we SHOULD both agree on. And AvG/EG/etc often show problems. And imho that is a pretty normal photo of AvG, actually in a less restricted posture than most of hers.

What is momentary? A couple of steps where the horse and rider are finding each other. Those odgs knew that #*Q$& happens when the horse is free to have a voice. That said the RK group is NOT momentary, it is steadily at the vertical (at best), and that IS problematic. But it is the lack of purity of the gaits where it comes out, and THAT is what should lower the score to insufficient. Lateral flexibility is missing (avg rides in right positioning almost 100% of the time), and esp in half passes which are over tempo to stay upright. Address CAUSES and not effects imho.

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Lets keep the topic going sans personal attacks, if not I will have to close the topic. Thanks aww



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I see a culture clash here.
On one hand there is the old horsemanship culture where riding the horse behind the vertical AT ALL was unacceptable. It was considered proof of bad riding if the horse felt it necessary to go behind the vertical. Only experienced horsemen were considered ready to learn dressage, not beginners or intermediate riders. This was the school I was brought up in, though since I ride Forward Seat and try to avoid all collection it is easy for me to be correct as to riding my horse in front of vertical. I do see that it is hard not to overflex a collected horse on occassion.
On the other hand is the culture of modern dressage competition which is a show--entertainment for an audience. This culture has managed to transcend the old "as interesting as watching paint dry" dressage performances to spectaculars that attract large paying audiences. Here more levels of riders are accepted, with levels etc. with different levels of skill are accepted and rewarded.
In order to get the electrifying high action that draws paying audiences while still being able to control the horse a lot of the riding during training seems to involve BTV riding. If TBs were still the popular dressage horses this problem would probably not be as bad because most TBs have very low, sweeping action suitable to the "watching paint dry" tests, not the high action of today's competitions. The reason today's competitors get high action is because the root stock of the warmbloods were carriage horses, often fancy carriage horses bred for high action. It has been proven historically that crossing TBs with high action horses does not wipe out the high action, Hackneys, American Saddle Horses, Tennessee Walking Horses all have TB blood but all have high action if they are bred to keep it.
I get a feeling that it may be HARDER to get the warmbloods to keep proper head carriage on their own, possibly due to longer necks?, "improper" head/neck attachments? What may be easy (comparitively) for an Iberian horse or TB as regard to proper head carriage may be much more difficult to achieve with many warmbloods. I'm not saying that I like seeing them BTV. I WOULD view training a WB in collection as a big challenge, needing very light contact and rein aids to keep the horse carrying its head properly in collection. I do not know if I would be a good enough rider to do this, probably not.
Cool it people. There is more than one line of comparing apples and oranges here. Warmbloods are not TBs who are not Iberian horses who are not Arabs who are not ASBs. Rejoice in the differences in both horses and riding systems. This is what makes horsemanship fascinating.


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How does one ride a stretchy/chewy circle or a free walk with the poll the highest point? When going fdo the horse or doing free walk the horse opens the throatlatch, so the middle of the neck is not the highest point, and the horse is 'arching' out to the hand/chest lifted. In free walk (not just stretching after a work out) the mouth really should not go lower than the point of the shoulders (sustained) because then the 'anchor' will put the horse onto the forehand.  Fdo is meant to be a test of whether the horse is seeking and hand and chewing fdo (mobility of the jaw and the horse following the hand).  As such in a test is not how low you go, but rather sustaining contact and following the hand/opening the throatlatch while keeping energy.  As an exercise fdo should only be done for a couple of circles, and back to work.  The more trained the horse, the better the balance, the more it should be able to go lower and more open.


I agree with with Jackie, it is a clash of cultures/depth of training.  A horse which is truly collected/in self carraige will stay ifv. But the rider has to have a developed/independent seat in order for that to occur.  And yes the horse on occasional will close the throatlatch too much (in a hh/etc), and that is WHY the rules are written as they are to allow momentary losses of balance (and also WHY the idea of 100% submission of the riders de jour is so problematic and lacking in virtue).

TB breeding IS a LARGE part of todays popular dressage horses breeding.  The huge movement of the forelegs is not just the 'wearing the collar side' it is from TENSION. But problematically, those horses then also become very hot when ridden in a trapped/low/closed manner...hence the tension.

It is NO harder to keep a given breed ifv.  Longer necks and thin throatlatches (ie friesan/arab) are THE most difficult because they are weak and easily take to or behind the vertical.  They must spend a longer period of time being ridden lower but open.  A higher headed horse must be ridden more lowered and open as well.  In the end proper carriage is a result of correct balance NO matter the breed.

Collectability is the result of proper balance and compression of ALL the hindleg joints as well.  Self carriage must be CONSTANTLY reward to be sustained, and that means FAR MORE than an outline of the neck without sufficient/proper hindleg joints flexions.

In the end a horse is a horse, and traditional training 'works' for all of them.  Since I have to work with all breeds I find very little difference.  The difference in the schools (ie cadre noir/srs/schools of spain and portugal/even traditional vaquero/etc) are very minimal because they want the same end points.  How they get there, there are nuances, but they too are minimal imo.



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Spirithorse, You continually accuse me of arrogance. It's getting tiresome and anyone who knows me in real life knows there is less arrogance in me than you display here.

You accuse me of making false statements regarding the horses pictured. These are not my opinions, they are facts easily found in books and online. As for your assertion that 90% of media photos depict horses BTV -- how do you know this? Have you counted them all? You question my veracity -- and I will question yours. Not being snarky, just looking for the facts.

When it comes to fact versus opinion, Barnfrog has the background and experience as a trainer, competitor and judge to make her statements and back them up. You do not. Where are your credentials as a trainer? As a competitor? As a judge at a recognized competition or even a small schooling show?

You can tell me all day long that you were trained by a cavalryman, rode racehorses, know how to shoe horses, and you can quote the ODG's till the cows come home, but what you cannot do is show us YOUR correct riding, YOUR finished horses, or YOUR dressage achievements.

I know I'm wandering perilously close to the edge here on this nicey-nicey board, but your ideas are IMHO, heretical and dangerous. That is why I question your authority. No one here should take anything you (or I) say at face value. They should do their own research, make up their own minds.

A while back, you and I had what I thought was a meaningful and civil discussion of training and rehab techniques. However, neither of us convinced the other. That's the way it is sometimes.

I knew that your way would not restore my horse to health. I bought him from a jumper barn with a back injury that ended his jumping career early. I had the advice of my veterinarian, and several trainers, clinicians and equine therapists agreed with his recommendations for rehabilitation. Sometimes you have to do things in an unorthodox way to achieve positive results. I have the horse to prove the correctness of the work. It wasn't "dressage" per se for most of the first year, it was rehabilitation. Lots of walking up & downhill, cavalletti trotting, work in LDR to lift, stretch and loosen the back. Not every horse needs it, and it's not appropriate for every horse. It would have been wrong to show him during the rehab period, as he was not in any condition to show and we certainly would have been penalized for a BTV posture. But as he got stronger, he grew in self-carriage. Given the final results, I see no problem with the technique used.

It was not AVG-style Rollkur, which would have put too much pressure on the horse's already compromised spine. There was never coercion, force, harsh bitting, or gadgets, other than the use of a chambon or Vienna Reins in the early stages on the lunge line to help the horse lift his back and activate the hind legs.

Any judge who saw the horse and didn't know the backstory would have told me he was travelling with his head too low, etc., etc., and they would have been correct -- for competition. For rehab and physical therapy, we did what we did for a reason.



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Figarocubed:

I sent the image of your avatar to a vet friend who also competes in dressage for her opinion.   I was surprised when she agreed with my perspective of your presentation.

You have your horse overbent and behind the vertical.

Rein tension clearly demonstrates that it is your rein contact causing this, and not the horse attempting evasion.

And something she pointed out to me, you have the glands and muscles behind the jaw compressed into a bulge.

I have just recently had the opportunity to work with a well schooled and very experienced rider with upper level experience.   My lack of knowledge and experience made dramatic changes in her rein connection, in her seat connection and in her seat connection.   She was most pleased.

So your opinions based solely upon no working knowledge of my experience and knowledge really do not carry much weight....on the other hand, the opinions of Barnfrog and Jackie and others do carry credibitlity and weight.

 



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I do have to agree that most of the pix in magazines are INcorrect.   You can count on one hand the proper bearing of horses.  Even articles which quote peeps like Kottas show pix which are problematic.  And the majority of internationally winning FEI horses are too shortened/compressed and their gaits ARE affected by this bearing (AND their training...look only as far as the warm up arenas.

The pix of the horse of Figaro is in the first phase, ideally it would be more open and a little less compressed, but it is uphill/folding its joints with a nicely aligned rider.  Overbent (laterally) it is not. Momentarily at the vertical is ok, we would have to see more (of the foot falls) to see to make more analysis. Certainly with a more closed posture there will be less length of stride, so then the rider furthers its analysis. There is a difference between closing the throatlatch and having the parotid glands pressed out, and a horse held in a steadily compressed btv posture by intention.  One is a question of nuance, and one is a question of theory. This does not take a vet to point it out, but rather it is common knowledge of a horseman.  Many horse easily volunteer premature flexion and the rider has to go back to mobilize the jaw and allow the horse to be more open (following scope in a greener horse in walk/canter). A step in interaction with the horse in its training, and a rider learning to train. What would problematic is a horse with the parotid glands pressed out when it is open and the underneck pressing down due to lack of proper balance/flexion of the hindleg joints.

 

 

 

 



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Getting back to the topic...

I have been entrenched in the world of competitive dressage for many years and I think you can compare dressage judging to judging for skating, dance, gymnastics, etc. It is subjective and political. Sorry Allan, as long as we are all human, that will never change.

That doesn't mean there aren't some super, well-meaning and educated judges out there, but if you want to compete in dressage (I'm sure other equestrian disciplines as well) you have to accept the subjective and political judging. It's part of competing.

IMO, what should not be subjective on the show grounds are situations where the horse is bleeding, is being beaten or otherwise abused in the warm-up, is being ridden with an over-tightened noseband, nostrils flaring as the horse tries to get some air, or when the rider is actually standing in the stirrups to add more pull on the curb, as we saw in the recent reining video.






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"That doesn't mean there aren't some super, well-meaning and educated judges out there, but if you want to compete in dressage (I'm sure other equestrian disciplines as well) you have to accept the subjective and political judging. It's part of competing".

Yes there are some super judges out there, however, they are few and far between.

NO, competitors do not have to accept subjective and political judging.

When rules are written with declaratory descriptions that are mandated, then judges DO NOT have the right to be subjective.

Judges DO NOT have the right to insert their personal likes and dislikes into specified and stipulated movements.   The breed and/or color of the horse, nor the rider have any affect upon the scoring.


 



-- Edited by spirithorse on Tuesday 12th of July 2011 07:57:27 PM

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Allan I respectfully disagree.

I do think if we want to compete in dressage we have to accept the subjectivity and politics.

I don't think it's a matter of having the right or not having the right. Humans bring their humanity to every scenario, every interaction. Even the most dedicated judges trying to follow the rules as closely as possible are subjective.

It's part of showing dressage. It's part of figure skating, it's part of hunter classes and Western pleasure, it's part of gymnastics. Where there are scores that are chosen by human beings, there will be subjectivity.

With that being my point of view, I would also add that subjectivity opens the door to influencing a judge's perception and judgment of what he/she sees and judges to be correct - and for dressage, if there were positive influences making inroads that could be quite exciting. Fashions change all the time - precisely because what we judge to look great is constantly evolving and being influenced by outside forces. So can it be for dressage - precisely because we can count on the subjectivity of human beings!


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Well, we agree to disagree. That being said, enforcement of the rules is not open to subjectivity, period. The rules have clearly specified descriptions and these are objective. The 'on the bit' description is one of those clearly stipulated and mandated descriptions which are not open to the subjectivity of a judge's personal likes and dislikes.

Mr. Matson posted the following on another site...notice that 'on the bit' is missing, although at trot and canter judges pay attention to the front.

Science Shows What Judges are Looking At
Interesting. Note the conclusion about keying in on the hind cannon bones.

http://www.eurodressage.com/equestri...essage-judging

Excerpt:

Results show that:

- for movements performed at the trot, judges pay significantly more attention to the front of the horse than to the back or the rider.

- for movements performed at the canter, judges also pay significantly more attention to the front of the horse than to the back or the rider.

It was also possible to determine the judges’ visual attention patterns for each movement. For example:

in the piaffe, judges focused on average 25% of fixations on the hind cannon bone, 15% on the forearm, 9% on the front cannon bone, 9% on the rider’s lower leg, and 8% on the shoulder.

in the passage, judges focused on average 19% of their fixations on the hind cannon bone, 13% on the forearm, 10% on the shoulder and the front cannon bone, and 9% on the rider’s lower leg.

in the flying changes, judges fixated an average of 15% on the knee, 12% on the forearm, 11% on the front cannon bone, 9% on the hind cannon bone, and 6% on the hocks.

in the pirouettes, judges concentrated on average 17% of visual fixations on the hind cannon bone, 11% on the hocks, 8% on the shoulder and the mouth, 7% on the forearm and the front cannon bone, and 6% on the rider’s lower leg.

Current findings clearly suggest that judges base their assessment of the total performance on their observation of all body parts, but pay special attention to specific parts of the horse. While the front of the horse as a whole seems to provide information that is most useful in determining the quality of the overall performance, the hind cannon bone features very strongly in most exercises as a point of visual focus.



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I do have an opinion about judging and the rules. First, I do not see the rules as 'must do at all costs', rather I see them as guidelines for the judges. The entire concept of showing your horse is to present yourself, your horse to another human who will give you their opinion that is based on how they interpret the rules for whatever division they are judging. And I find nothing wrong with this. You go to many shows so you can get a variety of opinions, that is what makes showing interesting.
What I do find is that people get so obsessed with the rules and too focused on one of the horses body parts, that they miss the development of the rest of the horse. Or they focus so much on how the horse must look per the rules that a lot of the joy that comes with little accomplishments is lost and the horse is not rewarded.

I do not agree with the constant focus on the horses head, there is so much more. I may be way off base to several of you but this is what I see ( oh my, I am going to be subjective!)- Look at a gaited horse, but only look at their head and neck. Find a photo and only look at the head. Most of them seem to meet the dressage rule for the position of the head. They are not btv, but rather vertical or slightly ifv. Poll is highest point. So far, so good. But when you look at whole horse, there is little self carriage, little hind end engagement. Yes, that is the nature of the gait but my point here is the whole horse must be looked at, judged, evaluated, not just the head. Most TWH have a rear end that is not well defined, rather seems like it is hitching a ride, lacking impulsion. And yes, gaited horses have their own dressage 'rules' , movements based on gaiting but honestly, I think they can do a standard lower level test with ease if trained properly, and I have done this. I have ridden them and shown them for over 30 years. As of 15 years ago, I started training them in dressage to create a more muscular rear and to teach them how to engage their hind end.

I am not totally sure if this thread is just about FEI level ( from photos posted, seems to be the case) but for lower levels, I most definitely feel that if judging seems to be subjective, then YAY! Most of those showing at lower levels are learning the rules and are not perfect but still want to show and get feedback from the judge. They know they are not fitting inside the perfect little dressage box but working towards that so they do need some subjective feedback, otherwise their scores would be in the 40s!. IF lower level rides had to be just like the rules, dressage wold be discouraging and scare riders away since they were not 'perfect'. They want the miles and the experience while they work towards the ideal dressage frame.

I will get on my subjective soap box once more and add that those critical of judges would have a more valid opinion if they would present themselves to be judged. It seems like those with the most critical and negative opinions of judging, do not compete, do not support competition nor do they provide photos or videos of themselves for others to view. Why is this? I would have more respect for those who protest current judging if they would present themselves riding and share their photos/videos to support what they feel is correctness and adhering to the defined rules. I think that would be a more positive approach

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Interesting article.

Here is another related one that explains the complexity and difficulty of judging, and why pure objectivity is not possible.

http://www.eurodressage.com/equestrian/2010/11/04/natural-bias-hidden-controversy-judging-sports





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Hi,
I think we should seperate the issue.

One side is biased judgement, like a judge giving higher marks to his home country riders or lower to those riders direct competitors. That is a constant nuisance in many sports and I think we should do the same as in gymnastics, which is eliminating the highest and the lowest score. I know that the international dressage commitee has rejected that, on the grounds that judges don't want to be eliminated, but so what.

The other issue is wrong judgement. That can only be fixed by better judges. So its a training and experience issue.

there is a limit as to what you can do with formal descriptions on how something should be done, like head position, number of strides, number of steps in piaffe etc etc.. The problem here is that you don't judge discrete events like in show jumping. You have to judge a complex appearance where some things will be good, some mediocre, some poor within the same lesson of the same horse and you have to give it a discrete score.

For example the book says you have to do 10 steps piaffe at point G. But now you will see someone do only 9 steps but those pretty well and another one does 10 steps, but poorly and another one does 11 steps mediocre. None of all will do every thing right, the head position, the bending of the hind quarters, the position of the rider, the forearm of the front legs etc. etc. etc. still as a judge you have to decide within a few seconds what score you give. That will have to be subjective to some extent and it will need training and experience to do it well.

It is the responsibility of the FEI and the dressage specialists to see that the training and experience is there. They have to amke sure to select the right people and they have to put the necessary controls in place to make sure the overall guidelines of the sport are clearly understood and respected. I think we have a problem here because many people in the FEI may not have that experienece and its difficult to get it.



-- Edited by berndride on Wednesday 13th of July 2011 06:09:47 AM

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All excellent points, berndride. Judges have to "try" to see the whole, in spite of the obvious difficulties therein.

Much of the problem with this discussion is the OP likes to focus on only one aspect -- head position. While head position is indicative of problems in presentation and training, it is not the whole picture. In the OP's world, no weight is given, apparently, to the activity of the hind legs, the lift of the back, the overall balance.


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Figarocubed wrote:

 In the OP's world, no weight is given, apparently, to the activity of the hind legs, the lift of the back, the overall balance.


 Figarocubed:

Here you go with your irrational assumptions.

What is fun for me is that you have no idea just what I believe and teach!

I just taught an experienced dressage rider with German schooling a few simple techniques that softened her rein contact, softened her leg contact, softened her seat contact.  Result was a more forward moving horse with the hindquarters thoroughly engaged.

So....I ask you for the last time....stop making your arrogant assumptions about something you know nothing about.



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The study from eurodressage had to do with RAPID EYE MOVEMENTS and their interpretations.

And I thought the vids of the riders (three?) that were posted at one time were your students/you teaching?



-- Edited by barnfrog on Wednesday 13th of July 2011 02:39:48 PM

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Hard to tell, as there was no dialog, just silence as I recall.

Not irrational or arrogant, Spirithorse. I've seen your videos on YouTube over the years. Nothing I've seen on those videos convince me that you know what you're talking about. You were probably smart NOT to have any dialog or commentary on those recent videos.

And anyone who questions YOUR assumptions eventually gets labelled "arrogant", "ignorant" or "irrational". In my book, THAT'S arrogance.

You have a bone to pick with competitive dressage, the FEI, USDF and USEF. You will not be happy unless everyone else is in lockstep with your theories. Not gonna happen. Too bad for you.

Now, for the last time (OK, THAT'S a lie!) what are your credentials as a competitor, a trainer or a judge? Are you a member of ANY of the organizations you criticize? If you are, why have you not tried to work within the system by obtaining judging credentials and practicing what you preach?





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Hi,
the study of rapid eye movements is a well known technology in psychology. However like any other methodolgy it has its limits.

Here it shows what judges are looking at but of course it gives you no insight into what mental processes in the persons head are leading to which score. The fact that someone is looking longer at the forelegs than on the hind legs does not necessarily mean that he/she will give a higher or lower score.

The fact that you look longer at a particular part of the horses body may be caused by either good or poor performance.
The study shows that judges are looking at all parts of the horse and are trying to get a complete picture.
That is good!

Still, watching something does not mean your evaluation or understanding of what you see is accurate, a fact that many students have experienced at school when exposed to a complex mathematical formular the first time.

Another very hard problem in judging top sport events is the fact that the top competitors are very close indeed. Just imagine the top 5 at the last WEG in Kentucky. Take the test and try to score it simultaneously to the performance. We have done that in a judging seminar just as an excercise. Compare your results to the others. Than you try to discuss and defend your score. It was a lot of fun and you recognize how difficult it is. - and you recognize that in many cases your only argument why you gave a 9 instead of 10 comparing Fuegos and Totilas Piaffe is in fact subjective. You liked it better - or not.

So especially when rating very close top performances, very little differences will decide and much of that will be subjective.

That is not to say that there couldn't be mistakes. There are mistakes, but to quote one of my favorite writers:
"It was God's wise decision that in order to highlight the virtues of heaven nothing on earth will ever be perfect"



-- Edited by berndride on Thursday 14th of July 2011 05:19:18 AM

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berndride wrote:Here it shows what judges are looking at but of course it gives you no insight into what mental processes in the persons head are leading to which score. The fact that someone is looking longer at the forelegs than on the hind legs does not necessarily mean that he/she will give a higher or lower score........The study shows that judges are looking at all parts of the horse and are trying to get a complete picture.
Exactly.  WHAT are the judges valuing??? And WHY??


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Going back to the two piaffe pix.....sh do you realize that the RULES allow the horse to come to the vertical in piaffe (although this was a significant change)? The horse is too shortened, but not against the rules. And one can see the effect of the such constraint/seat on the piaffe.

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